a1: I Want to Miss You
a2: Witching Boots
b1: Hello, Hello
b2: The Warm Son
Weird how I listened to this, and was going to write a review that said (among other things) “Interpol produced by Phil Spector.” Then, doing some background research into the band, I discover that Seven Inches (Everyday) said essentially the exact same thing.
The Laureates remind me when Uncle Bob took GBV down the hi-fi route, having pulled everything he could out of his basement recordings. As you may recall, many GBV loyalists rebelled against the slickness; if you go back to “Do the Collapse” eight years later, the songs hold up (though, what you need from that era is the Hold on Hope ep, which is the best hi-fi thing Bob ever released).
That is to say, this single is about the songs, the hooks and the production. For a band of this genre, this sounds slick as snails, and these guys fall all over themselves to pile hook after hook into every song.