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Releasing Records in 2011

This Friday (11/11/11), my label Mammoth Cave Recording Co. is releasing our first LP: The Famines – The Complete Collected Singles (buy it today!).  This might be a weird choice for our first long-player – a singles collection for a band in a weird place (Garrett living in Edmonton / Raymond living in Montreal) who don’t have a mountain of buzz. Are we worried? No. We have a few philosophical guideline that help us make decisions: release good records by good people. Don’t rely on tricks to sell records, false pressing sizes, limited “colour” variations (etc). Release records by those left out due to geography.

The Famines easily meet all of our criteria: when I first met Raymond and Garrett, it was clear since day one that we were all on the same page, and in the years that have followed, we’ve become good friends. The Famines have blown me away live every time I’ve seen them. As a singles collection, every song on this LP is a hit. This is good music. These are good people. This record will last.

As we all know, there is no “sure thing” in music these days: people aren’t buying records! Everyone downloads everything for free! No one cares! In this climate, releasing physical records still matters. Now is the time to double-down on the things we love. Instead of closing shop, now is the exact time that new models for making/releasing music can actually be given a chance to succeed.

  • Hype is fleeting and temporary. Nothing is being built in favour of quick profits.
  • Genre is dead. Genre obsessions/popularity are fleeting and temporary. Lasting music is hard to categorize.
  • Disposable music is easily disposed of.
  • Physical records are emphasize time. Mp3′s emphasize space. True music appreciation finds a balance between the two.

Harold Innis wrote a book in 1950 called “Empire and Communications” that I find useful when thinking about releasing music. Innis says that every medium has a bias of either space or time. The dominant medium in a civilization determine the nature of that civilization. Media that emphasize time are durable in character – stone, clay, parchment, and these media favour decentralization. Media that emphasize space are less durable and light in character – papyrus and paper and favour centralization. To increase stability, Empires need to balance time and space, but within Empires, monopolies of knowledge form that favour some media over others, balance is threatened. This leaves the door open for new forms and leads (ultimately) to the collapse of Empires.

The failing music Empires of the 20th century became entirely ‘space-oriented’ , with no inner coordinating principle and with no organic conception of ‘lived tradition,’ time, succession or duration. Music became all about turning quick profits, running artists into the ground. Biases of time somehow got lost, which is why there will be no new U2, no new Radiohead, no new Bruce Springsteen, no new Rolling Stones. Those bands were given time to grow, to experiment and to FAIL. Touring circuits that Bruce Springsteen developed in simply do not exist anymore.

If we are going to make music matter again we need to find balance between space and time. We live with the space-based orientation of Mp3 culture, which is no-longer novel nor desirable (nobody is going to their grave happy that they spent a chunk of their life downloading/organizing Mp3s), and physical artifacts are necessary to achieve balance. One result of this space-based Mp3 culture is abundance sickness which numbs us, and stops us from caring. Instead of endlessly shuffling 10,000 mp3s, why not spend some time with one record.

Mp3s still have a purpose, they successfully abolished the monopolies that major labels once held (and to a degree, still hold), but if any of us still care about music we need to slow down, to buy records that matter to us, to stop trying to hear everything and re-focus.

All that jazz

A few years ago, I self-imposed November as Jazz month, where I put away the rock and roll and pop music and try, unsuccessfully, to culture myself. This goes on for a week, sometimes longer and then I pretend that “Jazz Month” doesn’t matter.

Part of my problem is that, because of my lo-bro upbringing and my default music taste, jazz music is really hard for me to comprehend. There are a million records by a million jazz musicians and it is hard to know where to start. When this journey began (November, 2003), I read a lot of Amazon listicles and All Music Guides for people just like me, and dove in. But, for every record I really got into (Miles Davis “Kind of Blue”, Charles Mingus “Ah Um”), there were a dozen that I really hated. That I found annoying or, worse, boring.

With pop music, when I hate something, I turn it off. During jazz month, I endure the stuff I hate in hopes that somehow it will make me a better person, and then put on “Kind of Blue” again. It’s the one jazz record that I own that doesn’t have to wait until November.

Thing is, I have this weird thing about liking “Kind of Blue” as much as I do. It always feels so obvious. It’s the one jazz record everyone can get into, it’s the one jazz record everyone owns, and if they don’t own it, it’s the one jazz record everyone should own. I’m listening to it right now. If Jazz Month slowly gets whittled down to five records that I enjoy and appreciate, I suppose that is better than nothing.

Where am I going wrong? Which records am I missing out on?

Bored To Death: 5 things to do in Lethbridge over the next two weeks

Pretty sure I haven’t mentioned publicly that I am now an “arts and culture” columnist at the Lethbridge Herald (specifically their re-launched/re-imagined Lethbridge Journal), where I will be doing a bi-weekly rundown of things to do in Lethbridge in order to keep from offing yourself. As I will assume (probably rightly) that most of you won’t get a copy in time to act on the events that I am so sagely curating, I’ll post my column here too.

Welcome to Bored To Death, a shortlist of things to do in Lethbridge to aid in the “there is nothing to do here” blues, because the truth is that there is mostly nothing to do here.

Bored To Death September 30 – October 13

1)   “Cereal Gen” at the University of Lethbridge Art Gallery (Until October 24) FREE

University of Lethbridge Art Gallery's Cereal Gen Exhibit

The University of Lethbridge Art Gallery has been exceptionally good over the last few years, and the gallery’s latest exhibit “Cereal Gen” is no exception. Edmonton artist Lyndal Osborne’s installation Endless Forms Most Beautiful, which displays alien-like “enlarged seedpods” in the process of being genetically altered, is a must see. It’s time to change the conversation from what the University gallery doesn’t do, to what they are constantly doing so well.

 

2) Art Days (Friday, September 30 to Sunday, October 2) FREE

Lethbridge Art Days

Even though Art Days sounds like the least fun thing ever, there is no better time to celebrate the world-class art that happens here in our own backyard. The highlight of the weekend is Artwalk, which is an excellent opportunity to see the works-in-progress of some of our local art-stars. Plus: performances in Galt Gardens from our best local musicians and every carb-a-holic’s favourite two words: “pancake breakfast.” Remember to wash the syrup off your hands before you run your filthy paws over everyone’s artwork!

3) Ghostkeeper w/ Michael Rault at The Slice (Saturday, October 1) $10

Come for Calgary’s Ghostkeeper, one of that cities most entertaining live rock and roll bands, but show up early enough to see Edmontonian one-man-band Michael Rault, whose Buddy Holly-esque rave-ups will completely lay waste to The Slice.

4) Randy and Mr. Lahey at Average Joe’s (Thursday, October 6) $20

CHEESEBURGERS

This event sells itself: Randy and Mr. Lahey from Trailer Park Boys doing some kind of comedy routine, a Trailer Park Boys look-a-like contest (which should be fiercely competitive in Lethbridge), and a cheeseburger eating contest.

5) Uncle Bad Touch w/ Ketamines at The Owl (October 11) FREE

Montreal’s Uncle Bad Touch is the latest project from Priestess lead vocalist Mikey Heppner, and their self-released album is one of my personal favourite records this year.  Uncle Bad Touch might be one of the worst band names of all time, but their combination of 60’s arena rock and 70’s folk-rock is completely worth checking out.

Roman Klonek: Woodcut Prints

Blown away by these woodcut prints from German artist Roman Klonek who makes woodcuts inspired by Eastern European cartoons. For whatever reason, these make me salivate – character design and colour schemes that, while appearing happy at first glance, all have sinister undertones.

On: More tales for an Accelerated Culture

Douglas Coupland published Generation X: Tales for an Accelerated Culture in 1991, which was basically pre-Internet, so it is easy to think of 1991 as virtually prehistoric. It’s hard to imagine people in 1991 feeling the effects of an “accelerated culture”, per say. I just watched the concert footage of Nirvana playing live at the Paramount right after the release of Nevermind, and it all feels so quaint.

Which is to say, I’ve been suffering from acceleration sickness again.

If 1991 was accelerated, 20 years later we are in hyperdrive and it feels like the engine is glowing red hot.

For me, acceleration sickness comes, in part, from information overload, though that is only part of the story here. For the most part, I’ve adapted and my information capacity has expanded (though don’t tell my gmail inbox that). The other part comes out of that increased capacity to process information, quickly, in that everything flows through and is incredibly hard to make things stick. So a lot more culture that I process a lot more quickly. Cultural diarrhea.

As a teenager with limited access to music, I would buy a cassette tape every month or so with the money I made from my paper route. I would get this tape and memorize the music on it, and even if I initially didn’t like the record (or only liked a song or two), by the end of the month the tape was in my DNA. When I got Nevermind the spring of 1992 at my local Sam the Record Man, I listened to that album a thousand times. I long for those days, as this still seems like the ideal way to process music, the right amount of time.

Twenty years later, I have access to and regularly check out (as opposed to listen) new music (and music that is new to me) all the time. Instead of experiencing albums, I experience the flow of new music. I imagine a river, and in this river are all the new albums/singles etc. and, from time to time, I get in and see if anything sticks while hours of music wash over me. As a result, it is incredibly hard for me to get into an album for any length of time these days. I love that Total Control record right now, but I am almost sad to admit that the fifteen or so full listens I’ve given the record in the last few weeks is enough. I’m anxious to get back and see what I’ve been missing. I’ll go to a few message boards and websites and see what’s new, what’s leaked, what needs to leak and continue the cycle. To fill the gaps, to stay relevant and ahead of the curve.

I’m chasing my tail so fast it’s a blur. It’s making me sick and I keep asking myself – what’s the endgame here?

Do we keep doing this forever? Can we keep doing this forever?

That question has been haunting me lately as I write my dissertation. Where does this go? At one point, I had high hopes for our digital future. These days, as those digital selves get increasingly ill, I can’t help but fear the worst.

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The last three years

I started THE ANNOTATED EVERYTHING in the fall of 2006. It is now 2011, a full five years later.
During the initial chapter of this blog, I was at the start of a PhD program at the University of Calgary, and this blog went dormant in 2008, right around the same time as I successfully defended my candidacy to get “ABD” status.

Then things went weird.

The candidacy progress, which I rushed through, was pretty brutal on my psyche. I passed, but it felt like one of the most degrading and un-fulfilling events ever. Post-candidacy I had problems getting ethics approval – not that my research was going to be harmful to anyone (quite the opposite), but because of needless red-tape and bureaucratic hand-wringing. After finally starting the actual research phase of my dissertation in January 2009, I spent 8 months chasing down something which I eventually decided wasn’t there, and had to re-evaluate my whole dissertation topic.

It’s actually only been in the last eight months that I actually feel on top of my research and writing, that I’m finally on to something real, and the result is a dissertation that is slowly taking shape. I am making steady progress towards completion, and I think what I have is actually pretty good, but it took me a REALLY long time to fully embrace it and commit to finishing. In fact, up until last December, there wasn’t a week that went by that I wasn’t considering quitting.

There were many, many months over the last three years that I was hiding (I’m not sure how well) a deep depression. Crushingly heavy. Many factors contributed, and it took everything I had to climb out. Scary, looking back, at how awful I felt almost all of the time, and the lengths I went to insulate the people I love the most from this. Lots of late nights sitting alone quietly losing it. Music helped (a theme throughout my life), but maybe actually prolonged everything. Things got ugly.

I’m pretty sure I’m on the metaphorical “other side” now, as if it were so easy. For better or for worse, I’ve still managed to accomplish a lot in the last three years, and I think, in the end, the depression and period of deep introspection will pay off. I never want to go back, but in a sick way I’m glad it happened. Is that weird?

The Annotated Everything is BACK!

First to delete SO MANY embarassing old posts, then The Annotated Everything is Back.

1) Because I’ve been writing a lot lately and I have too many ideas in my head
2) Because I’ve thought about doing this for a long time, you know like “losing weight” and “learning how to play guitar”
3) Because…

Not Paul Lawton

I am not multi-instrumentalist Paul “Lolly” Lawton of the Vancouver BC alt-rock band The Paperboys.

I am not Paul J. Lawton, author of historical fictions.

Nor am I a Paul Lawton, historian who studies the role of U-Boats in WWII.

Definitely not this Paul Lawton, illiterate with a fondness for fast cars.

You can ask my friend Jeff, but I can assure you that I am not Paul Lawton, deck-builder.

Pretty sure I can design a better “home page” than this Paul Lawton.

I am not the Australian soldier Paul Lawton who died in Iraq, and whose parents were informed via a quick cellphone call… RIP other Paul Lawton.

Not Paul Lawton, CEO of Comms Business Interactive, nor am I Paul Lawton on Lawton & Lawton law offices.

I honestly think I have the potential to be the most well-known Paul Lawton in the entire world! Come on other Paul Lawtons, give me some competition here, you guys are making it easy!?!

Virgin Festival Calgary

The lineup is up…

Stone Temple Pilots
The Tragically Hip
The Flaming Lips
City and Colour
Mathew good
Three Days Grace
The New Pornographers
Stars
Corb Lund
Fact to Face
Constantines
Attack in Black
Pride Tiger
Crash Parallel
The Dudes
The Whitsundays
Ten Second Epic
The Spades
Said the Whale

Weekend pass: $125

I almost had to eat my words about this festival. Last week, Morrissey made a statement that read

I am also pleased to be asked to join the bill at the V Festival at the Thunderbird Stadium in Vancouver, and also at Fort Calgary in Calgary.

I kind of lost my mind when I read that. I have been obsessed with The Smiths and Morrissey since I was a lad, and have yet to see him live (when that day comes, I am stalking his tour bus, getting him to sign my arm and then getting it tattooed there). Then that statement continues:

However, as we all know, the psychologically and constitutionally sickening Canadian seal-kill has started and is once again in full-cry.

Oh christ, here we go. Look Morrissey, you are awesome and everything, but punishing your Canadian fan base (most of whom likely agree with you that the barbaric seal hunting practices should stop) is really stupid. YOU PLAY SHOWS IN THE US, A COUNTRY THAT KILLS MORE IRAQI HUMAN BEINGS IN A YEAR THAN CANADA DOES SEALS!!! Ugh. I get really worked up about this all the time. Shit, I would have sat through Three Days Grace, Mathew Good AND City and Colour to see Morrissey, but alas, that is not to be. Just as well, as that is the musical equivalent to being bludgeoned to death by a sealing club (which, might I add, I am morally opposed to).

What happened to the lip service to having “local music” on the bill? I see the Dudes, The Whitsundays (from Edmonton, which should count I guess, but they are also playing the superior Sled Island, so fuck that), but that is it (and in order to say that for sure, I looked into some of the bands I hadn’t heard like Crash Parallel from Ontario, and who are apparently “drawing comparisons to artists such as Coldplay, The Fray, David Gray and Counting Crows” (which, aside from their music are four reasons why they must be avoided at all costs). Oh shit – Ten Second Epic (which is subsequently the length of time I could listen to their myspace) are from Edmonton too.

Sure there are a few Annotated Everything favourites on the bill (Flaming Lips, The New Pornographers, Constantines), but most of this festival just reeks of the dying (not soon enough) corporate music industry. A lot of the bands (and the structure behind the bands) are still desperately pushing music as a “product,” and talking (in a very 1990′s way) about “content” (“Get the digital release for bonus CONTENT!”). For those bands that avoid that way of doing business in the music industry, the stink kind of wafts over to them as well (whether they like it or not).

Secondly, who is this lineup going for? Are Stars fans going to want to sit through Attack in Black? Will Attack in Black fans sit through Said the Whale? Will anyone want to sit through Three Days Grace? To paraphrase Pierre Bourdieu, “taste is nothing more than the distaste of the taste of others” – something that I will admit fuels a post like this. Yet, it is one thing for me to think that this lineup is full of shit, and it is another for me to react against this form of blatant “focus grouped” lineup that appears to these eyes to be nothing more than a vehicle to move “units” (as opposed to a way for music fans to come together and enjoy a nice day in the sun without the taint that is a Branson-sponsored shill-fest).

Porn in the Woods

For proof that the Internet brings people together, see this (one of my all time favourite) 2005 Ask Metafilter Post that asked: “Did you, as a kid, find Porn in the Woods?” To which hundreds of Mefites responded “YES!”  Similar web communities have tackled this same issue (also, a hilarious David Sedaris essay). It seems a that hundreds of kids have shared this communal experience; finding a secret cache of porn mildewing in the wood, behind an out of the way dumpster or under the occasional bridge.

To wit, this is exactly where I found my first ever porn stash, as a seven year old let loose with other seven years olds in rural Moose Jaw Saskatchewan. My comrades and I would bike around aimlessly, playing in construction sites and looking for treasure. And treasure we did find, in the form of a stack of 1970′s era Playboys, rotting away under a giant tree stump in a treed area, just waiting to be found by children. Burned in my memory was four little kids, not sure what they were looking at, but knowing instantly that they shouldn’t have been looking at it, dividing up the few mags that hadn’t decayed too badly. All was good in life for a week or two, with these magazines being the highest form of schoolyard capital, until (predictably) one of my friends was caught with one by his mom, and was grounded for a month. The rest of us, fearing the same consequences, ritualistically ripped up the magazines and let the pieces blow away in the wind.

This all comes up because yesterday, on a walk with Jane and my son, found… porn in the woods. Well, kind of. We were walking through Henderson Lake yesterday afternoon, a man-made lake with a walking path around it that is generally “DESTINATION LETHBRIDGE.” We were walking over this bridge, when something shiny catches my eye:

porn in the creek

Kind of a bad photo, but what you are looking at (the red bits) are a handful of pornographic DVD’s (one with the title “Spring Chickens”) that had been… ritualistically snapped up and thrown under the bridge.  My son, not knowing what he was looking at (or pretending not to), wanted desperately to be allowed to go “investigate further,” to which I had to say no.

This brought up so many questions to ponder:

1. What is behind the porn in the woods phenomenon?

To which I can can think of two possible answers:

  1. To keep pornography hidden in an area that it won’t be found easily, so that it can be used in an accessible, but private surroundings
  2. To dispose of pornography in an area that will not point to one person (i.e. disposing of it in the garbage can out back).

Will the internet age slow (or eliminate) the porn in the woods phenomenon?

  1. Yes. It is easy for kids to access pornography with the Internet.
  2. Kids aren’t even allowed to play outside in the woods anyways.

Which means that we will no longer have stories like these:

Has anyone noticed that smell forest porn always has? Kind of musty, but unlike any other kind of smell in the world. It always smells exactly the same. The forest porn smell….

I will never forget the smell of rained on porn mags that have been dried up. For me, it’s the smell of porn.

What’s f–ked up though, is that to this day, my brain associates the smell of ferns with porn. No lie. We hid our rescued stash in a small cave that was hidden by a blanket of ferns.

What I found the most interesting in our discovery yesterday was the way that these dvd’s were disposed of – in a well travelled area, but out of the way enough that most people would not have discovered the stash. Also – with seven or eight destroyed DVD’s, one was noticeably unharmed. Perhaps an homage to a childhood experience lost to a digital age?

The Road

So, everyone in 2007 (well, not everyone, but Oprah for sure) was going on about this book called “The Road” by Cormac McCarthy. It’s this book about this man and his son (eight years old-ish?) trying to survive in a post-apocalyptic world.

So, I read said book (can’t remember exactly when, maybe in August?), reading in two sittings, and it still hasn’t left me. I think about this book all the time. There are things in my head now that The Road placed there, and they won’t leave me. I dream about this book all the time (such as last night, and one other night this week), and these dreams are terrible dreams. I am haunted by The Road.

I am not going to give anything else away. I didn’t know much going into this book, and I was glad that I didn’t know. There are a few sections that I had to read a dozen times just to piece together what was happening, to fill in as much of the puzzle in my head as possible. You should read The Road to see for yourself.

I am three books deep into my book a week project for 2008. Reading a book called “The World Without Us” which is about what would happen to the world if humans dissapeared. I am scheduled for my candidacy for May, so I need to start reading for that asap.

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Live Blogging: Stories, Texts and Technoscience (5)

Fleck – the process of discovering facts vs Facts aren’t produced! They are RECOGNIZED! / Wittgenstein – not to have breakthrough, but to clear up the mess by the last philosophy (ANT close to this with regards to science – we have ourselves with a misunderstanding of the claims of science and the goals of science – ANT tries to clean this up). “Everyone is entitled to his own opinion but not to his own facts.” Thought style/collective. What thought community does that come out of?

(Read: Polanyi – The Great Transformation). /Mol – the logic of choice (anything anyone does is choice), and there is always a technology, that if you align yourself with it correctly, it can get out of your rut.

Hacking – Taking for granted degrees of constructionism / Elevator words /a successful science could have developed along an entirely different path – ontologicaly objective/epistemologically subjective. Once it is entered into the framework, it becomes “real.” Once you accept capitalism, poverty only means one thing (anything else). What is getting organized / what contributing to what is getting organized today / Interactive kinds – two loops – interactive as the effects of people themselves of being grouped into a certain kind but also how people see them as belonging to that certain kind of autism.

Fleck leaves us with an idea of “facts” are developed (Latour’s “fact-ory”), but then stops there. Hacking picks up – now that everything is open to social construction 1) what is being constructed 2) what kind of constructionist do we want to be? Verran then moves to platonic things (length, numbers), which are the Kantian a priori, and gives us the systematic “working out” of this kind of Sociology.
Verran – multiplicity (multiple ontologies)/ Universalism/relativism / remembering Metaphors.

Hierarchy of gazes – children who are being surveilled, the teachers who are being supervised, Verran who is monitoring and being monitoring, and then the new Verran surveillance on the old Verran. Auto-critique. Pick it up as a method, or does it only work de-constructively. No initial question to start from, rather “where did you get that from?”
ANT – just because you can show it is a social construction, doesn’t mean it isn’t useful. Sequence of relative certainties.

Political ontologoy

Mid century sociology: so many elevator words;

Where is Sociology? We have some habits of thought, core topics (race/inequality) that we have a stamp on, but there is just so much else happening right now.

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Stories:

After all of this, this is how Art puts together his method.

Having this problem about talking about stories right now. Take things like conversation analysis that describes the “truth” of what they are “really doing” – a narrative analysis that isn’t unmasking or ironic, but is rooted simply in understanding. If you want to do a narrative analysis, it is a mirror image of storytelling. How do we do sociology the way a scientist does good science? A matter of looking to the people themselves, not just as experts in their own lives (Ethnomethodology, D. Smith), but a locally situated skilled worker.

First, a recognition of “Slow-ciology” that begins with drawing out the stories in full. Slow people down, as it is the gaps of assumed knowledge that are the most interesting. Also, slowing down the analysis project (“how fast can I get it into the computer – qualitative sociology with software just isn’t as interesting).

How do we slow people down?

1. Fill in the story: Ask people to fill in the characters and the settings. In the interview, ask them to tell the full story. Expand the frame to get the before and after, recognizing that the story isn’t self contained. What makes the story an episode is what is interesting.

2. Important to ask who is telling the story (falling back on the notion of ideal type). Not “what kind of person” but “how does telling the story constitute the teller as this type of person”. The teller as dialogical personality inseperable from who the story is being told to. What are the resources that the story teller has available. What a person is what their narrative resources are. We don’t have resources, but we ARE narrative resources.

3. Important to ask about connections (network in ANT, hook-ups in IE). How did the person learn that story, both in content and narration. Words, tropes, plot types, metaphors – how does this way of telling reflect connections with what? Who would get to tell the story, and who would get it? The story – who gets it immediately, who would get it with coaching, and who would not get it no matter what (people can immediately group this). This is a connection – who tells the same story vs. those who would never get the story.

(at this point, this is just the gathering stage, before analysis). Not going too fast yet.

4. Every story has a evaluation component – what was a good thing and what was a bad thing? “They lived happily ever after” – they did something right here. Ask about how the story draws about who else’s notions of what is good and what is bad? Stories have a sense of evaluation, ask what this draws upon as it accepts other notions of good/bad or resists other notions of good/bad. Making live social – evaluation.

5 . People are trying to hold their own. Better than “coping strategy” which suggests an other “they who are coping” and a level of deficiency – psychobabble. Ordinary idiom – whatever people need to do to do whatever it is they are trying to do. In narrative – the content, the telling (as an action) – in both these levels, people are holding their own. In the act of holding on, they become the self that they hold onto. Holding ones own change, it is open. The key thing to think through – until there is an understanding of how they are doing this – until you can tell a story about the storyteller as being situated in their life and about holding their own. A narrative analysis that proceeds like telling a good story. Develop the character to the point that they have their own level of autonomy. Could be an analysis of them doing anything. People are holding their own. How do you understand this?

6. Ask the people themselves – when research hits an impasse, the way out is to ask “what are you trying to do yourself” – Reassembling the Social – social science asks too little of the participants, we want to take on the work for people. Asking people what they want. “What would you like me to do in response to your stories?” Ask how they want their stories represented; if nothing else, this just becomes good data, as it gives more on how they understand themselves, and what they thing we are able to do with the story. “What is the message you would like to get out?” – they do have a sense of message, and in the course of the interview, they possibly have something more. Very intense in that they can hear themselves talking in an unstructured way.

The Analysis (everything is before):

7. The key thing: teach yourself to re-tell the story; the way you would take someone else’s story and learn how to incorporate this into your repertoire. Tell it silently, taking the role of the other; both teller and audience. As we do this, as we re-tell the story, a curious thing happens is that the story doesn’t always hold together – inadequacies (why would they do that?) the cracks amplify as you re-tell the story to oneself. Just the same way as one would re-learn it for performance. The analysis begins where the story doesn’t hold together (like Latour’s controversies). Re-tell the story, discover the gaps, the places where the action could have gone very differently. Discover the places where the story could have been different. Story about going this way rather than all these other ways.

8.  As you retell the story, the beginning and ending is arbitrary. A less important, but important – what genre, what narrative type? How would the story teller tell this story. What other stories are like or unlike? Crucial to get a sense of different genres of stories within this same phenomenon?

9. At the end, what do you most appreciate about the story teller? “Appreciative inquiry” – something that is complementary to this. Until you have thought about the person you have talked to in a way that appreciates how they are telling their lives, you aren’t there yet.

And so ends my last ever regulation time seminar!!

Live Blogging: Stories, Texts and Technoscience (4)

Verran: Science and an African Logic

1. Explaining away what is meant to be explained: Verran pushes you towards: “What is to be explained?” (Dorothy’s “What is the problematic?”) – who has what sort of problem? Starting with the problem explains away the interesting part, instead of eventually getting to the problem. This means rethinking both ontology (now understood as political) and politics (not a matter of intervention, but clarification). Problematic is limiting because we can move too quickly that which should be kept open. In the best ANT studies, it is not a strict beginning.

2. Literalizing: numbers are a conceptual organization, but we treat them as a natural kind. The history of numbers is taking embodied rituals. Once the literalizing is done, those things are there? “We do things with numbers, but numbers are things with us” – “numbers are familiars that seem to do us as we do them.” Goes to the Thomas theorem – we create the reality, but it becomes real in its consequences. It then is able to change in various ways in the course of doing us.

204-205 – once in existence, the numbers systems take on a life of their own. Meanings become black boxes – at that point, the grammar becomes part of the system.

Ontological Politics: sorting out what counts as “differences.” What counts as “X” when “X” counts? What does count? ANT politically does not want to put anyone in a “hero role” positions (direct lineage of “Science as a vocation” – lets acknowledge). Multiple versions are all not equal as “what counts” – multiplicity. ANT always wants an honest game that understands what the rules are, who is doing what.

Reflexivity: 4 pages from the end: “Would I act any differently?” – and she says “not really.” A curious example of a knowing actor. Even in the ANT study (236) “letting these little rituals happen as they would… trust teachers, and to trust myself to know what was successful.” The knowing teacher, the bottom line: trust the people who are actually out there doing the out there work. So then, what was the book about? The work was about western ways of knowing. The theory needed a knowing subject – trust embodied certainty?

Where the observing writer – who is the reader, and what is that reader supposed to be concerned with? \

How much do you watch the world / how much do you let it be? How much is it doing Warhol and just setting up the camera and documenting? As soon as you start publishing something, it becomes part of the picture.

The book ends up being about bodies, and repeated enactments of bodies, and the possibilities of language, and how our categories are repeated things we do over and over again, give a name to, and then reify the name. The name does a thing (it does us/as we do it).

Ordered/Ordering Micro-worlds: what is the ordered/ordering micro-world? Something is happening / is ordered (the people have resources they are expected to deploy, say a diagnosis) /is ordering (a teaching scene – doing ordering that will perpetuate). The scene could be otherwise (say, an other diagnosis) (the deconstruction of the category). Recognizing the inadequacy.

Foundationalism (p. 210): foundationalism (learning to see through the confusing surface p. 165). The expert gaze is supposed to see through to something else with expertise. The “murky surface” – claims to explain all possible worlds must be refused (relativity). Yet, that doesn’t mean that it isn’t safe to get in an airplane. It’s built within specifications that work in this world, good enough to get from here to there (modest version of social science – middle range). The idea of some ultimate theory is a foundationalist pipe dream (another authority bid). Live in a world of modest claims.

Findings: “the report has me “finding” the order” – another version of literalizing.

218: Think of certainty (method as it is taught): downward flow / legitimizing / (also 144 – translations). Method is a way of legitimizing various claims by having a cognative authority. All about claims making. Which winners/which losers?

Constitution of certain categories: who are the winners and who are the losers? Who comes off better or worse?

Live Blogging: Stories, Texts and Technoscience (3)

In methodology, three of the core areas

1) The question of “facts” – the way in which the word “finding” gets tossed about. In a literal sense – “what you find” or the activity of doing the findings. But in Fleck (or Latour), it is the “what are you producing”? What does “findings” imply – something that you come upon (“wow, there it is!”).

Building on that, the possibility of sociology is the idea of social construction (without which you don’t have sociology). Durkheim – Facts, Marx – Reifications (Etc). Natural scientists believe that the science will eventually explain all (i.e. poverty). Metaphysical fairy tales.

This gets us to the notion of the “science wars” – we might go larger and talk about the “reality wars” – nothing less than the nature of reality. We can also use Helen Veran’s descriptive terms – universalists vs relativists. Also: Internalist vs externalist. We have to remember that these are simply metaphors.

Externalists always want to place things in a broader contexts – there are only values that are sustained by a sufficiently enforced consensus. There are various mechanisms to do this, to find what counts. If you want to sustain, you have to enroll sufficient allies and get them to back your explainations (Actor-Network theory). Ironic in Hacking’s view. You have something that is ontologically subjective – medicine is only there because of social arrangements that acknowledge it as there.

Internalists think that this is not the case, medicine is what it is because bodies are there, that work the way they do universally. Regardless of the rest of the historical contingencies that may have shaped the where and the when, you would still get the same result because bodies break down in the same way.

Mol, John Law and Veran – are there multiple ontologies? Are there multiple objects of whatever there is (Numbers in Veran’s book). What does it mean to advance the claim that things internalists understand as singular, externalists understand as multiple.

For an internalist, method is a guide to a discovery of true facts in the social world – things are there to be discovered. America was always there to be discovered! It was always there.

Degrees of constructionism – Hacking’s three dimensions.

2) Method is a consensus by which certain practices are considered to have produced facts, and these facts are understood as being there, waiting.

Sociology as another actor (in medicine, in criminology). So, what kind of actor do you want to be, given that you are functioning as another actor. Sociology cannot guide you ethically as you intervene. Internalists can discover “value neutral”, though it depends on what Weber is calling you to. For an Externalist, Weber is recognizing the need for ethical considerations (and since you have these facts, what are you going to do with this ethically).

If method is a conventional understanding, then we need to enroll people to do method another way. Gathering like minded people to advance claims. For an internalist to apply internalist standard to an externalist argument doesn’t work. They can’t talk to one another.

Hackings six grades of construction commitment (p. 19)
A. Historical
1. Argues that X has been constructed over historical
time
2. X is not inevitable but contingent result of
historical processes — statement (1)
3. No commitment as to whether X is good or bad
4. not much different than just history

B. Ironic
1. shows that something we thought was inevitable is
actually highly contingent, the product of social
history (19-20)
2. yet somehow feels that in our present lives, we are
pretty much forced to accept it (20)

Ironist is much more identifiably a constuctionist. What we think to be inevitable, could be different. Pullman’s His Dark Materials existing in a parallel world (inquisition still happening). Really get an alternative physics that notices different things. Understands things that could have been different. Like Nietzsche – understands genealogy as a succession of roads not taken (that could have been taken). Ironist perceives the dangers of revolution (end up with the gulag).

C. Reformist
1. accepts that X is a bad thing — statement (2)
2. and wants to make it a little less bad

Reformist – once recognizing that something can be different, modify things accordingly. Max Weber’s switchmen of history – revolutionaries want to derail the train.

D. Unmasking
1. wants to undermine ideas by exposing the functions (or
interests) they serve
2. a reformer and an unmasker may be one and the same
person

Alongside with the reformist. Secret History of the Cancer Wars. “Running for the cure” is dangerous because it takes you in the wrong direction that is positively unproductive. Not that things should be done differently, but this is how things are.

Foucault – pointing out inconvenient facts (Weberian term), which is a way of showing something as different.

E. Rebellious — also accepts statement (3): that X should
be done away with (20)
F. Revolutionary — goes beyond ideas and actually tries to
change the world

How much are you willing to sharpen your guillotine?

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Elevator word: “social” “generalizability”

John Searle -rules that only make sense in the context of certain games. “thou shalt not kill… within the ingroup.” Epistemological objective (strikes in Baseball). Ontologically subjective (certain kinds of things – rent for example – only makes sense within complex arrangements). Is it a four-fold table to fill in other categories? Ontological objectivity? Epistemological subjectivity?

Indifferent and interactive – Quarks (p. 30).

Hacking thinks the analogy with baseball did more harm than good. I.e. quarks are not like strikes.
Strikes are “ontologically subjective” — that is, hey would not exist without human rules and ractices but quarks, if they are real, do not depend on us in this way

Perhaps Fish should have said that it is the idea of uarks that was socially constructed. However, Pickering, the author of Constructing Quarks, denies that it is just the idea of them that is constructed. What he meant is, is that if you come at the world in certain way, you can get results that can be construed as evidence for quarks (30, q.v.). Hacking finds this less interesting than the converse claim: if you come at the world a different way, you get evidence for a different, successful physics (31). In effect, what Pickering says is that physics would have evolved in a different way (q.v.) For Hacking, this is a highly significant issue:

1. most physicists think that the road taken was inevitable
2. for the social constructavist, on the other hand, a successful science could have developed along an
entirely different path (32-33, q.v.)
3. for Hacking, this disagreement whether there is something contingent about the development of science
is sticking point # 1 in the science wars (more in chapter 3).

Interactions (31)
He’s given several examples how ideas or classifications and objects interact with each other
1. child viewer of television or 2. woman refugee. One obvious way in which these classifications interact with their objects is that these are classifications of people, who are aware of how they are being classified (31-32). But, also of course, inanimate objects are not aware of how they are being classified, and hence do not interact with their classifications (32)

D. interactive kinds
1. classifications of people are interactive kinds because they interact of things with that kind
2. only classifications in the social sciences are interactive kinds, not those in the natural sciences

Indifferent classifications. Quarks are there whether you know about them or not. America was always there. To hold out the category of indifferent classifications is to hold out a bit of internalism. Microbes were always there – they were also interactive (antibiotic resistant infections – came to be due to human intervention). Indifferent and interactive.

Veran: can you do more than decompose? How would she have done “the arithmetic logic” multiple?

Psychopathologies: indifferent and interactive. Biolooping? Thinking about more psychological diseases? Autism wars? ADHD wars?

Main critique of construction: one way street. “it’s social construction” is taken to be the answer for everything. Right, what is the research project. Just identifying it as a construction isn’t particularly interesting. It ignores that 1) construction is two way. Stories: two ways: people make up stories and stories make up people. The interaction determines the physical realities. At this point in time, each is causing the other to be. For those two way things, the metaphor isn’t useful; it tends to get you to see “people constructing X” – X is taken as “the construction of” – people being constructed by the whatevers. Tends to lose the subtlety of interactive classifications. The usefulness of the metaphor comes in Fleck – shows how syphilis is constructed in laboratory practices. Not trying to unmask syphilis.

Worldmaking: Nelson Goodman’s “Ways of World-making.”

Child abuse: if new kinds are selected, then the past can occur in a new world. Description of a bad historical fiction. Ways that we can think about. Perpetually re-reading the past. Capable of re-feeling events in ways that heal. That make these things livable by re-feeling them within this new framework. A lot of what social science does is to re-describe. The power of re-descriptions that provide for re-feeling is to experience a sense of injustice where, at the time, no injustice was felt. In re-feeling it, it comes off as unjust.

The social sciences are thus inherently an ethical practice.  The point is that the value-laden work that sociology has a claim to is accepting that its classifications evaluate who is troubling or in trouble. (p. 131). Two responses: 1. get those responses out 2. this is part of the deal, What is left if you try to be value free? How do we become accountable for the moral implcations of our classifications and incorporate that into our writing?

Kinds are always motley kinds. Think of fabrication mechanisms (Latour). Motley sampling? Loose assumption that these are people that count as X. The sociologist is taking on a lot of the fabrication work.

The motto is “motley.” p. 133 The fundamental question is what those kinds do to us? If what the course is teaching you is we need to look at who makes the world up in what kinds? By asking this question, we have to engage the six grades simultaneously.

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More music for your (my?) Bejar fetish

Details have been announced on the upcoming Hello, Blue Roses album, that being the duo of Dan Destroyer Bejar and Sydney Hermant/Vermont. There is also going to be another split 7″ for early next year.  Listen to this lovely offering: Shadows Fall.mp3

Then I just read about another Bejar side project called Bonaparte (three songs are streaming here). In addition to Bejar and Vermont, Bonaparte features Josh Lindstrom, Krista Marshall, and Steve Wood (of Giantess /The Battles).

Finally, a rash of Destroyer circa Your Blues covers:

Final Fantasy – An Actor’s Revenge

Spoon – It’s Gonna Take An Airplane.

Live Blogging: Stories, Texts and Technoscience (2)

The Construction of Social Reality (1995) by John Searle talks about the ontologically subjective (ie. baseball strikes), that which only makes sense as socially constructed; strikes count as strikes. Once you have the socially constructed “matrix,” then you have some objectivity.This brings us to the famous Thomas theorem, which says that if a person defines something as real, then it can be defined as real in its consequences. This makes sense if we think of panic behavior, such as the claim of weapons of mass destruction in Iraq. The US government defined this as a threat to world security, which resulted in a war that is very real in its consequences. This is the truth of the theorem.

Reality requires definitions, the it is whatever people consider it to be. The it is not the definition, it is what is being defined. Whoever gets the high ground, gets to claim reality. This isn’t the reality, just the reality that won out.

Goffman says that while it is true that people define situations, we need to keep in mind that they don’t make these definitions up by themselves. People do not have infinite choice in how to define things; definitions are strictly delimited. There is minimal construction at the individual level.

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People tell stories in order to show themselves as authentic. If you ask someone on what basis their authenticity rests, they have to tell a story, and the authenticity is found both in the content and the telling of the story. Stories are crucial – there is, for each of us, a “my way.” Charles Taylor takes this to the late 18th century German romantics, and argues that this was the beginning of all this, and it became possible then to miss the point of your life.

Stories represent a borrowed authenticity. People tell stories, and in these stories, they make claims for their personal authenticity, but this authenticity is borrowed. Individuals tell their own stories, but they didn’t make these up by themselves. People are dealing with  a finite number of tools: plots, characters, devices – they have a limited repertoire. People draw on these, even when they are dressing their stories in their own experience and placing them in local settings. That may be why we have the finding that the same plots pop up in different cultures.

For Carl Jung, this meant that that there were certain structures of the mind, archetypes – those same features are hard wired. Levi-Strauss says that when we know enough about the brain, and that is how we tell our myths. That is the core of structuralism. The brain is projecting its own structure on the world. Structuralism is the neuro-projective structuralism. They then go out and structure the world in ways that reproduce. It is not that there an external structure “out there” – just our brains creating worlds. Its not as if we go at the world differently; they could have gone at it differently. Though, we don’t believe this any more: too linear, though there is a certain truth here: only so many stories.

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After returning to Troy, Agamenon was killed violently with an axe by Clitemnestra. Her reasons for such a brutal murder were complex, but it seems that it was not so much due to her passion for Egisto and the desire of revenge his brother, she killed him because she hated him. Agamenon had brutally murdered Clitemnestra’s first husband and their children in front of her eyes; he had also sacrificed her daughter Ifigenia to Aulis. She wanted revenge.

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Why are stories good equipment? Why do we use stories, and not other equipment for representing our lives? How are stories different from other narrative acts?

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Epistemology:

Two basic epistemologies of narrative:

1. Naturalism – such as in grounded theory. Take stories, dump them into software to develop themes, codes. Narratives as open window. High validity. Fixed point; ontological singularity, with epistemological access. It is what it is; we know it inadequately, but there is only one thing there to be known.

People report their lives in stories about those lives; the narrative analysis examines this from a meta-position. A recognition that people are “poor historians” – memory faults, false consciousness, presentation of self.

Analysis: correct the flaws, to see through them. Help through post hock analysis. Hear it once or twice then it might be faulty: from 20, then there is something here. Need adjustment about what it is “to be” – expect a skewness of experience for __________ reasons that would be pervasive for the entire sample. Only through a theoretical correction can you see this for what it is.

Hermeneutics of suspicion: Marx, Darwin and Freud are all suspicious – the world is a text that requires interpretation. The interpretation is suspicious, the availability of reality is not the true reality. What is really running the show (Marx: wage, labour and capital): everything is illusionary. This means that the analysis needs to do work – make knowable by cutting through all the things that we are to be suspicious. People are incapable of knowing their own lives. What we need to get serious about is “the social” (Durkheim). Sociology is supplanting the old religion. Get on with the serious business of sociology. The core narrative. Fits in with the Hermeneutics of suspicion.

Paul Krugman:

“My chance of surviving prostate cancer — and thank God I was cured of it — in the United States? Eighty-two percent,” says Rudy Giuliani in a new radio ad attacking Democratic plans for universal health care. “My chances of surviving prostate cancer in England? Only 44 percent, under socialized medicine.”

It would be a stunning comparison if it were true. But it isn’t. And thereby hangs a tale — one of scare tactics, of the character of a man who would be president and, I’m sorry to say, about what’s wrong with political news coverage.

Let’s start with the facts: Mr. Giuliani’s claim is wrong on multiple levels — bogus numbers wrapped in an invalid comparison embedded in a smear.

But here’s what I don’t understand: Why isn’t Mr. Giuliani’s behavior here considered not just a case of bad policy analysis but a character issue?

….

Other sociologies that don’t claim epistemic privelege (Dorothy Smith). Avoiding hermeneutics of suspicion, while holding on to something for sociology.

2. Dialogism – What does work make visible? What at that moment is visable? Duality – representations teach us to see what we see, and what we want to see changes what we represent. Dual process. Continually morphing.

Narrative analysis needs to be the analysis of narratives; not using narratives to study lives, but to study narratives as a fundamental processes of life. Narrative acts are as worthwhile as economic acts, government forming, other stuff that people do. Most sociologists use stories as convenient way to get at something else.

Art’s new book: “Letting Stories Breathe” – grounded theory approach – carve up the stories to get the “themes” coming out. Letting them breathe lets them have free range. Narrative analysis becomes the observation of stories leading their lives.

People create their lives by exchanging stories. Pickering: if people told different stories, could live equally successful lives.

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The Human Condition: Rene Magritte,

Looks like you are looking in the window but half of it is a painting of the outside. But the painting is on an easel and you can hardly see it. It just looks like you are looking at a window.

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Though stories do work representing the world, they do their hardest work when they pre-present. In the NA – stories are selection/evaluation devices. Goes to the pluralistic universe of William James. The “blooming, buzzing confusion.” Without being ontologically multiple, the point is that we can attend to a number of different realities with a number of different consequences.

Selection: somethings are part of the scenery, taking place off our radar. Stories that enable this result. Most stories are about noticing/failing to notice certain parts of the world. Stories tell us how to pay attention. Teach us what is selectable, and what counts.

Evaluation: Stories represent hierarchies of value. How do I avoid? How do I evaluate? Stories often hinge on things that appear to be not valuable, but in the course of the story, become so. A Higher wisdom. Through the stories we know, we have learned what to pay attention to, what plots to expect.

Anxious stutterer. A child without stories can still talk, but it will be anxious because it won’t know what parts of the world to pay attention, and stutter in linking together narratives. Emplotment allows us to speak coherently. Children learn this through stories. Anxiety is not being sure of the right stories.

Habitus: Habit and habitation. What you feel comfortable with (matters of clothing, food, shelter, speech). Embodied: carry as habits that work their way into the tissues. For Bourdieu, it travels in classes. Signs you give off that you have difficulty moderating. Body type is one example (rich = thin). Changing habitus is difficulty, and involves a certain amount of betrayal.

Narrative habitus:

1. The stock of stories that people know. Stories that are assumed (Cinderella story).

2. Not just “knowing them” – also knowing how to understand a story like that.

3. If you tell someone of the same habitus the start of the story, they will know where the story is going. Can’t be predictable, but need to see where it is going.

Stories are strong fabrication mechanisms. Very good at assembling groups. Inherently morally neutral: The story creates its own moral ground.Works along with out other forms of habitus and sensibilities: the moral part of stories live with moral ideation that is simply not narrative.A continuum of habits that is not determinative: but it is enduring.

Christopher Lasch: Haven in a heartless world.

Much sociology is historical constructionist. Elias.

When we go to the scene of an interview, the important thing is that listeners hear stories only in their own narrative habitus. Our narrative habitus: the terms we have to think with: not getting people to tell their stories (easy): did you learn what you needed to know in order to understand the stories that they are telling you? Ask following questions about who would get the story, and who wouldn’t. a) how do you understand it b) who does it connect to? c) who does it disconnect from?

A dead story becomes a text to be taxonimized. To be laid out in a transcription and broken down. Impose a master grid on the unbreathing body. Letting stories breathe watches the story create connections and disconnections. The story needs to be up and moving and not pinned down.

Narrative isn’t getting at the singular world: instead it studies the world as narrative resources made possible to represent. WE can hypothesize other possibilities, but we don’t know what those are.

Dialogical: stories need to be there for the response of others. As much our response, and what was expected, and how we do respond. NOT auto biography. Asking the people how they want their stories to be carried forward.

This is definitely constructionist all the way down. But that begs “what is being constructed?” and leads us to attribute too much agency to the work of construction. Narrative analysis is the study of STORIES! Not the idea that stories get at people who tell the story: stories have a mutually dependent autonomy. Not just epiphenomena.

The work of stories.

Calgary Police brutality on Stephen Ave.

Last night, the Square Waves played to a small crowd of Calgarians (30 in total?) who happened to be at the Broken City on a Thursday night, right between two major concerts (Bright Eyes the day before and Modest Mouse the day after). Far be it to be a judge of my own performance, but it felt right while I was playing, and I was told that we sounded good. I am happy with it.

Still sitting with me is a horrifying event that took place before the show. Ryan and Patrick and myself were going to eat after we checked into the hotel. While walking down Stephen Ave. downtown Calgary, we walk right past two police officers talking to this man. I am not sure exactly what went on, the reason why they were talking to him (etc.), so lets make that clear.

As we were walking past, one of the cops THROWS A PUNCH at the guys head, and then grabs him in a headlock, after which the other cop KICKS the guy in the NECK! It is kind of hard to describe, but essentially, these two cops started beating this guy up while yelling “STOP RESISTING” and the guy is crying in pain, and they have him on the ground, and it looks as if the one cop is going to break the guys arm trying to cuff him, while the other cop is resting his full body weight on his knee, which is holding the guys head down on the pavement. The guy did not appear to be resisting, yet the police were clearly not saying it for his benefit, this instructive directed towards the gathering crowd. “STOP RESISTING” code for “hey, we’re just doing our jobs here because this guy is resisting arrest.” From what I saw, and what Ryan and Patrick saw, there was no resisting going on at all.

Yet, what to do? I actually felt around for my cell phone to take video, but I left it at the hotel. Which makes me feel like shit, because if I was looking to intervene, I should have confronted the cops, consequences be damned. Yet, with the severity that they kicked this guys ass, I was worried that this was going to happen to me as well. A video would have shown two Calgary police officers assaulting an unarmed, non-hostile man, and it would have been really bad for these cops.

Afterwards, there was kind of a collective effervescence on the streets, strangers talking to one another about the incident. From the different perspectives of people we talked to afterwards, it was clear that others saw the same thing we did. Three men talking, and one man getting beat up. Except the assailants were wearing Calgary Police uniforms. And the victim is the one sitting in jail.

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Live Blogging: Stories, Texts and Technoscience (1)

Social constructionist stuff (interpersonal, relational, ethical), but hive off the “medical” stuff (natural, factual, the scientific)

The difference is that the uncertainties are all waiting for further research to get “the answer” – yet (the key word). The social/bioethical/organizational remains open to change. Rock solid knowledge vs. shifting sands, and the world is divided between them.

It is thus difficult to escape this dichotomizing.

For example, illness vs. disease. Disease has a natural reoccurring, objective, whereas the illness is all the lived experience etc. Some form of this dichotomization is hard to overcome.

Naturalism vs. Phenomenological (Alfred Schutz). At most, people in the 1960s were willing to grant this difference. Naturalism was defended as being amenable to the positivism, seeking to uncover “facts.” Once you discovered them correctly, they were the essential properties of things. On the other hand, the ever changing world of impressions, meanings. How people feel about things, and end up with this bifurcation.

Even then, this bifurcation was objected to. 1890s, read Husserl’s logical investigations (beginning of phenomenology): there isn’t two spheres, even the work of math is the work of consciousness. The intentional relation to the world is total. Always relating the world. Phenomenology along the way tended to lose that and hold out for the smaller piece of the pie. The deal that certain spheres were appropriate to the “soft sciences” – that very term designed to mark this bifurcation. Science of the natural world – clear, objective. Otherwise, studying ourselves. We can be good instruments of observation, but we become compromised observers when we are looking at ourselves.

This course looks at the adequacy of this deal. If we refuse this split, refuse to hive off the “medical” or the “physics” and insist on a unity of these things, what are the implications? What does this mean for our methods, the crucial part involving the claims you can make proceeding this way. The culmination is some number of claims for what it is that a work of social science advances.

The claim may be “I went there, this is what I saw” – or – “this is the causal relationship” – but at the end of the day, you are making some kind of claim. The whole point of methodology is how you support your claim to be credible, compelling – readable (as opposed to objectionable).

Refuse this old fashioned split. Goes way back.

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Leviathan and the Air Pump by Shapin and Schaffer

In the aftermath of the English Civil War, as people were groping for new forms of political order, Robert Boyle built an air-pump to do exper­iments. Does the story of Roundheads and Restoration have something to do with the origins of experimental sci­ence? Schaffer and Shapin believed it does.

Focusing on the debates between Boyle and his archcritic Thomas Hobbes over the air-pump, the authors proposed that “solutions to the problem of knowledge are solutions to the problem of social order.” Both Boyle and Hobbes were looking for ways of establishing knowledge that did not decay into ad hominem attacks and political division. Boyle proposed the experiment as cure. He argued that facts should be manufactured by machines like the air-pump so that gentlemen could witness the experiments and produce knowledge that everyone agreed on. Hobbes, by contrast, looked for natural law and viewed experiments as the artificial, unreliable products of an exclusive guild.

The new approaches taken in Leviathan and the Air-Pump have been enormously influential on historical studies of science. Shapin and Schaffer found a moment of scientific revolution and showed how key scientific givens–facts, interpretations, experiment, truth–were fundamental to a new political order. Shapin and Schaffer were also innovative in their ethnographic approach. Attempting to understand the work habits, rituals, and social structures of a remote, unfamiliar group, they argued that politics were tied up in what scientists did, rather than what they said.

People didn’t stay in the boxes that we put them into. They did a little of everything.

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Epistemology vs Ontology

Epistemology: the study of how we know. How is knowledge possible? It is a Platonic concern (the climax of the Republic, Plato speaking through Socrates presents a hierarchy of the sciences, the knowledge of “essences” at the top and phenomenology is at the bottom. Impressions are the work of little people who go through live unseriously)

Ontology: the problem of being. What are the different kinds of being. What is it to be? Heidegger – why is their being at all, as opposed to simply non being.

These are regarded as distinct, but gradually merged into ontological and epistemological questions.

First question: What is a fact?

This is the message of Ludwik Fleck in Genesis and Development of Scientific Facts.

Prior thought: Facts were there, waiting to be discovered (science). How can there be genesis and development? What does it imply for the kind of science that participates in and studies processes for producing facts (the Platonist is tearing his hair out). Facts aren’t produced! They are RECOGNIZED! iPod’s are produced! Facts aren’t iPods! Facts are either right or wrong, and invariant. What extent can we think of them as being produced.

Second question: What do we mean by social construction?

Social science don’t examine how the mountains came to be, study how the ski resort did. Pretty clear the difference. In some ways “social construction” is the rational for the social sciences: we study what people put together (prison, philosophy, works of art).

What gets constructed? What doesn’t? What is this process of construction about? All of which will lead us to the limits of construction as a metaphor (and clearly it is a metaphor). In reading Hacking’s Social Construction of What?, looking at the sociology of the sciences vs. Latour. Hacking finds Latour a bit of a gadfly, and his project is to contrast. (Interesting that Hacking got the Foucault chair instead of Latour).

Third question: Helen Verran’s ethnography Science and an African Knowledge (Admired by John Law) is the core activity of social science. Methods get themselves in trouble because they are not grounded in ethnography. “You gotta know the territory” – this is ethnography – the vocabulary, the practice of the people you are engaged in studying. Requires spending time “there.” Feeling what it is to be “there.” The trouble with other methodologies is the short cuts.

Ethnography of knowledge, what people know and how they reproduce that knowledge. Fleck: why do we need a notion of an invariant? Verran’s book is a response to this.

Finally: How do we understand stories as actors? As a non-human actor. Think of Harroway’s companion species manifesto. Humans breed companion species to do certain kinds of work for people. A dog is not a naturally occuring entity. Dogs are, in a sense, socially constructed. Humans exist in our form due to the work of our companion species. The herding, plowing that dogs, horses, oxen. We are of the stature we are because of our companion species. They have created us.

Mutually dependent autonomy. (Art Frank). This is the oxymoron related to stories. Stories need humans for telling, but humans may need stories even more for all kinds of telling found in the world. What are stories among other kinds of narrative? What are the work they do as a companion species? How do stories make life social, given that life only becomes social from doing various kinds of things. In doing these kinds of things, they make use of non-human actors. Non-human actors take up the relays, and life becomes social in these relays. The non-human actors are crucial in taking up the relays. Stories return us to the same questions. How do they work in terms of social construction? How are stories a problem for methodology – how do you go about studying them.

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Four ideas of Actor-Network theory (ANT).

Some theory/methods where the name is decided by the founder – example, institutional ethnography is Dorothy’s term. In ANT, there isn’t a clear founder, and there is controversy in the title, and so it is up for grabs. Anglo ANT vs. Franco ANT (but in Franco, Callon’s ANT is a variant from Latour’s ANT).

1. Assembling

There are no groups, only perpetual acts of assemblage. Groups are always doing the work of keeping the group together. The proper study of sociology is not to take the group as a pre-existing, instead, what has to be studied is the work that is done to hold the group together, and with what kind of “stickyness.” What does this stickyness accomplish?

The social, for Latour, is always in the act of assembling, and there is no thing in “the social.” The social is always going on, and the work of social science is to drop in and see how it is proceeding, and getting done in particular times and places.

Fabrication mechanisms. The world is full of these, as this is what makes the world social. They are mechanisms, techniques, technologies that fabricate. Turn thread into fabric that holds together. Whatever you got is a fabrication: what are the mechanisms that do the building. The holding together.

The trouble with “system” is that once upon a time it was fabricated, and then continues un-manned. One decided upon design that we can admire. Elias: no system, processes. The processes are always a near-thing. Every act of fabricating has a potential to failure. Often much closer to falling apart. Whatever it is, it is the work of fabricating, and they either work r they don’t.

One reason to believe this: Decline of Nixon, breaking up of the Soviet Union. You always expected the country to be there. Can’t take seriously the problem of holding this thing together. Still living in this fall out. These have undermined the sense of solidity. See things as more transient, even things that appear “there” in “reality.” If people don’t get up every day and do the maintenance work in keeping relationships whole, then things fall apart.

Fleck: the sea, a definitional point, the lowest collection point of the sea. Paddle to the Sea. Sea is the end point. But this isn’t so, no boundaries between one ocean and another. The ocean is that which water descends to. How it got there isn’t an issue, it is what it is.

Elias: Process sociology, a course and a sequel to Elias. As opposed to Durkheim who hovers at the edge of this (but he wants to see things in and of themselves, remove the process).

The research question: whatever you are studying, what are the fabrication mechanisms. How is the assembling done, with what? Takes us back to the non-human actors. In this department, the assembling is done by email, reminding us that we are part of the same assemblage. The relays are taken up by electronic messaging.

2. Controversy.

The best time to study something is the moment of controversy. Relations that otherwise get passed into un-observability become visible.

What does the moment of controversy allow us to see? Allows us to see the relevant actors, what the relays are, what the translation of locally produced realities to other sites. A site is a locality that produces reality. Sites are “hooked up” with other sites, which requires translation. How are issues in one site translated into other sites?

3. Translation

Sociology of translation, the core of ANT. Not translation in the sense of language, we call it this, you call it that. Translation reflects different forms of life. Mol: find different forms of life. People are living differently. Words are inherently tied to different forms of life. The social is translation of power, because one sites version wins out over another sites.

How does a reality produced in one site made compatible (for what practical purposes) with contrasting and contesting versions of that same thing produced in other sites. Have all these sites, all producing realities. These sites have to hook up to be made compatible. This can fail (crucial).

4. Distribution of action

Sociology of distributed action. How is action distributed, and with what (companion species). If you have a sheep dog, you are distributing the action of herding the sheep. Disabilities studies: various aides: perpetually breaking down, having to be renewed, always controversies about how the action is distributed. Under no illusion that they are acting themselves. “I am actually doing this.” Need something to help get it done, and acutely aware of how it changes their purpose in the course of using this.

All of this goes back to: is the table an actor? Yes, but until there is a controversy surrounding it, it will be impossible to study it because it won’t say anything. It leaves no traces. We go back to controversies, because action tends to be distributed so thoughtlessly until we get the disruption. Until we get new tools (like a new table), the distribution is hard to get at.

ANT is important because we live in a world that is the upgrade society. A new iPod every 14 months. We are having to perpetually redistribute our action through new relays that impose themselves on us. “Didn’t you get my message?” The world we are a part of. ANT is perfect for a world where the relays change every 18th month. \

How does action get distributed, and though what? What are the effects of these distribution actors? MSN, Email, Canada Post: what are the effects of these in SHAPING what proceeds. We don’t just breed dogs: they breed us. How does an actor come to be as it is, as a result of how its action is distributed. The way we are depends on HOW we are.

Latour’s opposition to “textbook science” – removes the process.

Art’s supervisor at Yale.

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Wasserman Reaction: a blood test to detect Syphilis. Entity is present or not present. Syphilis already exists. A positive reaction, and therefore (?) syphilitic impression.

Certain, yes. Just relatively certain. Like to think they are certain that the airplane will stay in the air. Not – they are relatively certain.

Journal science still presents controversies. The textbook science comes up with consensus statements. A problem is discussed from the journal articles, and at the end you have a panel who put together a consensus statement that will issue a statement that will help sort out differences of opinions. This then has evidentially power that is one greater than a journal articles. Similar to meta-analysis. Decide what to keep and what to throw out – how to synthesize the results of this to tell you if these are true, reliable or evidence based.

Theories are not disproven – the thought collective moves on. (They rust).

Fleck could be used as a companion to Wittgenstein (specifically, Tractatus Logico-Philosophicus)

“Perhaps this book will be understood only by someone who has himself already had the thoughts that are expressed in it–or at least similar thoughts.–So it is not a textbook.–Its purpose would be achieved if it gave pleasure to one person who read and understood it. The book deals with the problems of philosophy, and shows, I believe, that the reason why these problems are posed is that the logic of our language is misunderstood.

The whole sense of the book might be summed up the following words: what can be said at all can be said clearly, and what we cannot talk about we must pass over in silence. Thus the aim of the book is to draw a limit to thought, or rather–not to thought, but to the expression of thoughts: for in order to be able to draw a limit to thought, we should have to find both sides of the limit thinkable (i.e. we should have to be able to think what cannot be thought). It will therefore only be in language that the limit can be drawn, and what lies on the other side of the limit will simply be nonsense. I do not wish to judge how far my efforts coincide with those of other philosophers.

Indeed, what I have written here makes no claim to novelty in detail, and the reason why I give no sources is that it is a matter of indifference to me whether the thoughts that I have had have been anticipated by someone else. I will only mention that I am indebted to Frege’s great works and of the writings of my friend Mr Bertrand Russell for much of the stimulation of my thoughts. If this work has any value, it consists in two things: the first is that thoughts are expressed in it, and on this score the better the thoughts are expressed–the more the nail has been hit on the head—the greater will be its value.–Here I am conscious of having fallen a long way short of what is possible. Simply because my powers are too slight for the accomplishment of the task.–May others come and do it better.

On the other hand the truth of the thoughts that are here communicated seems to me unassailable and definitive. I therefore believe myself to have found, on all essential points, the final solution of the problems. And if I am not mistaken in this belief, then the second thing in which the value of this work consists is that it shows how little is achieved when these problem are solved.”

How does this empirical fact originate? In what does it consist? We get a notion of science: immediately social. You may need a sociologist EVEN MORE for what is taken to be “the medical stuff.” Science is thought communities/styles.  The issue (similar to Foucaults discourse) is what can be thought in that way. A class is this sense vs. a traditional methods class.

The whole ideas that there are alternative viewpoints (Gestalt). The theory constructs the gestalt to see things the way we do (p. 144 – readiness for directed perception). Latour – not relativism (one as good as the next – not what Mol says in a Hospital – in a Path lab, due to the tools they use, they have a capacity for directed reception). Latour – relativity – different things in different part of the hospital.

Not saying Syphilis is an ideal creation – it is just needs to be understood as getting there from a history. Kuhn (p. 9). Only able to see a duck or a rabbit, couldn’t see the lines on the page. In some ways, what ANT is about is seeing the lines on a page – what social life is about is about seeing ducks and rabbits. We need to see ducks and rabbits.  He is paying the ultimate compliment to Fleck in seeing only the lines on a page. Before you see syphilis from a blood test.

P. 50: Would it be entirely possible to proceed without something that is fixed? Both thinking and facts are changeable – changes in thinking manifest themselves in changed facts (also: new facts discovered only by new thinking.

The world wants it fixed; in terms of how it really works. Sociology is split between either those who line up behind one another.

Why can’t there be a conversation?  Doing without a fixed point vs. not needing one. Needing a “GENERAL THEORY” – so 20th century. Can’t get interested.

CAN YOU GET BEHIND IT?

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My Life in Books (2007 Edition)

I was just trying to remember every book I have read cover to cover in 2007. I figured: hey, great blog post idea! I did this last year as well.

1. Discipline and Punish – Michel Foucault

2. Pascalian Meditations – Pierre Bourdieu

3. Reassembling the Social – Bruno Latour

4. Cyberculture Theorists – David Bell

5. Linked: The New Science of Networks – Albert-Laszlo Barabasi

6. Empire and Communications – Harold Innis

7. Essential McLuhan – Marshal McLuhan

8. Propaganda – Jaques Ellul

9. Impure Science – David Epstein

10. The Body Multiple – Annemarie Mol

11. Internet Society – Maria Bakardjieva

11. The Wounded Storyteller – Arthur Frank

12. Virtual Methods – Christine Hine

13. Pierre Bourdieu – Michael Grenfell

14. Managing to Nurse – Rankin & Campbell

15. Theory, Sport and Society – Maguire & Young

16. The Pasteurization of France – Bruno Latour

17. The Road – Cormack McCarthy

18. 1984 – George Orwell

19. The Stand – Stephen King

20. The Walking Dead – Book 5

21. The Walking Dead – Book 6

22. The Zombie Survival Guide

Working on or to be finished by the end of the year:

23. Brave New World – Huxley

24. Neuromancer – William Gibson

25. Genesis and Development of a Scientific Fact – Ludwik Fleck, . University of Chicago Press.

26. Science and an African Logic – Helen Verran

27. The Social Construction of What – Ian Hacking

28. The Gum Thief – Douglas Coupland

In other words, my goal to read one book a week this year was off target. By half. I read countless papers over the summer for my prospectus, so maybe that makes up for it? Or perhaps I am putting too much emphasis on the “book” in the digital age?

There is just something about reading a book from cover to cover that makes me feel well read, what ever that means. Just because I read articles all day (both related to my work and not), it still feels like these don’t add up in the same way. I can quantify my book tally; telling you how many articles I read, magazines devoured… who knows?

Does it make any difference? What keeps us measuring our time in this way? Is it an antiquated notion to associate books with literacy?

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